Everything's Personal (EP)

by Orlando Watson

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1.
To Be Loved 05:58
[[CHORUS]] I can tell by the look in your eyes You need love – you need love – o my love As far as I'm concerned Darling you deserve to be loved You need love – you need love – all my love [[VERSE]] I remember when we first met And you made / eyes inflate with infatuation. From the onset My heart dilated and let you live inside while Pupils full of promise prompted me to Inquire if I / Could ever get away somewhere elsewhere in your mind – so . . . I’d have space enough – to . . . String Saturn’s rings ‘round your ribs, Racing to drip honeymoons from cosmos and hand you comets by the dozen. Your dimples dipped deep / As milky ways while your smirk perched on the ledge of your lips / I latched onto every word you uttered / You stuttered / About your 2x felon baby father facing sentence soon so I figured you’d date me like your favorite calendar and pin kisses to my corkboard colored cheeks, but you chose To let insecurities intercept our inception [[CHORUS]] [[VERSE]] I questioned your past life, Listened to you elucidate your voyage to virtuosity via cell From heaven to hell We tripped back and forth between hard topics, planned trips to tropics Attempting to touch basis with your distant kinfolk . . . You kinda’ told me how you lost contact with your brother And how your mother loves another Ever since your father passed Sober can’t seem to last your auntie much past 60 days and / Somehow you found 60 ways to love 60 different men and Your past gave you a present whose 6 now . . . Hands down Little man looks just like you Although I never saw his father & you couldn’t begin to conjure his name I noticed that shame still quivers on your lips, but blame / I’m not equipped to place. Just cause your race was run a little faster than mine, I’m still trying to find my finish line with you . . . [[CHORUS]] [[VERSE]] Walking down Memory Boulevard Staring hard at our future while fools stared at us with cross-eyes as crossed as the cross Christ died on No lie I’ve been persecuted for your past, but I’m heavy set on settling down with you So please be as beautiful as you see fit, Finding the faith it takes to configure our flesh as one . . . I too / Could claim I’m never lonely But the devil is a lie and I’m not designed to fit his likeness This might miss you but miss you are all I ever wanted! I’m sure many have fronted / Like they didn’t see the light inside of you But I’m so certain God abides in you and I believe . . . I believe That you can receive the healing your feelings have been missing / For some years now . . . [[VAMP]] Pardon me darling but you gotta part of me I know some may say this ain't how it's suppose to be But I can care less about social formalities When my reality is you
2.
Temple Talk 02:50
[[VERSE]] Your morning breath blew beautifully, A very familiar funk stuck on the windowsill. See I’d steal this stench, and drench my windowpanes repetitiously So be sue to reward me with your first face as requested – nude and suggestive . . . Just makeup no more / Lies while we lay . . . (for) Headscarves are welcome in this realm Where boy shorts are surely feminine, so Indulge indefinite – As in-depth definitions present synonyms of your significance sincerely . . . Adhere me – Stitch constitutions to your core Dissolving any discord discourse served to sever your sanity, but Sweetheart you make sense seem so seamless when you yawn. Liberation lounges on the bed of your tongue, and Freedom hums there thoroughly and I just want to talk to you . . . Speak a little life into your life so you can live before it’s all ended, Writing amendments on your abdomen where confidence has clearly deceased – I just want a piece of you pure . . . Moments before the world gets you back, and Shellacs your shell again. May I – love you as is? [[CHORUS]] Want you to want me, Like I want you Let me show you Right now.
3.
Get Over Me 03:02
[[HOOK]] 2x I know that you Can’t get over me We’ve come too far And our history is classic [[VERSE]] Why don’t you come with me? Let’s have some fun We can kick it on the weekend You gotta trust me on this one You gotta love me for this one Lets run To the sun in a burning desire I’m sure you still want me Cause I want you too Just give me your love Nothing else is required [[HOOK]] [[VERSE]] Girl, stop ya’ playing Frontin’ – like you don’t want me back Yea, I know I know I’ve been known to – disappoint you from time to time But if the time is right then let tonight be When you love me like you like me So is it likely that we might be on our side-b? Doing it over again Doing it over again Doing it over again [[VAMP]] ‘Cuz I know you want me back Aint no denying that I know you want me back Aint no denying that
4.
Slave 05:20
[[CHORUS]] I’m bound to you Slave to your fixes Desperately pickin’ / the love you give Master, piece this life I live Piece this life I live (Master) / Piece this I live [[VERSE]] I hung out for you – on a limb of inhibitions, while You witnessed delicate discontentment dangle from damaged skin Fortunate – you were healer heaven sent Master of managing misuse whereas to you... My abuse was a beautiful blend of brown blues / Especially hued for you as my partner In part - I’ve played the field before and Foolishly ignored my house Negro tendencies Even after I knew better... Was on the front porch of your pores Beneath the roof of your truth Tucked in the couth of your confidence On 40 acres of brown estate You whipped me into shape Shifting sweet escapes where melanin was made to taste – Like freedom - like freedom – like freedom . . . [[CHORUS]] [[VERSE]] You selfishly assumed my kind had no capacity for compassion, So I insisted to deliver you different / Perspective on splendid pigment, while Innocent humor ensued insensibly, sensing you make sense of me, I prompted peer pressure on the pier of pure pupils, Letting lashes whip my will without warning, while You compelled me to pick / Custom cotton encased in clever lips, which Led me to love and allowed me to lynch / Degrading myths that men can’t manage monogamy. Although this noose is new to me, I’m set on hanging around 10 toes down with high hopes that . . . You're open to colored complexions Dinning in colored sections with undivided fidelity / Fond of me – forever . . . [[VAMP]] 2x I know – you’re tired – of running From something behind you Just let love come find you So we / never runaway Always making way for love – Our love . . .
5.
Colored 05:15
[[INTRO]] Attention! Attention! All tax paying citizens The black race is far too developed! They’ve become much too creative! We must perpetuate propaganda to further divide & conquer any carriers who Care for colored culture Copy Emasculate the black man. Devalue the black woman. Eliminate the black child. Televise their demise. [[VERSE]] I understand you’d rather Categorize my culture as criminal cult, Catapulting generalizations and stigma stench onto sacred skin Scaled in medallions and precious jewelry, but Black is beautiful beyond bigoted beliefs, yet You fail to retreat your treatment of inhumane humiliation Dismissing the sweet salvation in the salivation of our ancient speech / Spanning generations of civilization From KMIT to Kansas – Mali to Mississippi We sip on something supernatural so Seek to meet Christ in the temple of our textile tongues and Hear us hum spirited Negro spirituals / Despite hate rituals & régimes generated just for our generation Good Lord . . . We ain’t come for war – yet. We just want to be heard, but It’s hard when your outcast complexion qualifies Quantities of disproportionate misfortunate, which Portions privilege to be distributed / In amounts that amount to insurmountable injustice [[HOOK]] How come my color / can’t get along with yours? Why must we / buy into this war? Oh – oh – oh Lord have mercy! Oh – oh – oh why they wanna hurt me? [[VERSE]] You mustn’t misunderstand the God we grant, For holy hastens to our pigmented palms plastered with power Wrapped ‘round righteous wrist, which Evokes ancestors to applaud our quintessential existence. Furthermore, we’re fed false differences regarding African (&) American; A color so bold it must be sold separate, So souls severed our culture and called it crafty, Created division on dimensions unmentionable, while Willie Lynched black limbs from limbs of oak trees that Jim’s crows overcrowded. Our jungle was a palace ridden with hieroglyphs Written with royal graffiti engrained within enriched roots . . . There’s plenty proof we’ve come from better, but Oppression presses overcompensation into our beloved bones By which Versace fulfills our vacant veins. Tar and feathers may have affirmed our fur infatuation, but . . . I promise that our patience isn’t rich anymore – consequently, The poor – will be sure to overflow And all the milk you spilled – shall in fact draw blood. [[HOOK]] How come my color Can’t get along with yours Why must we Buy into this war . . . Oh – oh – oh Lord have mercy! Oh – oh – oh Why they wanna hurt me? [[BRIDGE]] 911 I need solutions My color keep on drawing your conclusions You kick us ‘til we conjure mild contusions Then shoot us ‘til our temples fall to ruins Oh – oh – oh Lord have mercy! Oh – oh – oh Why they wanna hurt me? [[OUT]] We’re tired of your tireless senselessness So since this is all about a race Catch us if you can.

about

Orlando released his genre-bending, debut EP in the Summer of 2017, coining the term "SNAP Music" (Soul. Notes. And. Poetry) and found much success with his sound as the soulfully poetic project found quickly found itself at #18 on iTunes top 200 R&B/Soul charts within 24 hours of its release.

credits

released July 7, 2017

1. To Be Loved (feat. Jacob Bates) prod. by: Robert Hale of EPHAP Productions

2. Temple Talk (feat. Reagan Grey) prod. by: Kenny "Chef" Bell

3. Get Over Me (feat. Billie Mitchell & Brady Lamont) prod. by: Robert Hale of EPHAP Productions

4. Slave (feat. Brady Lamont) prod. by: Robert Hale of EPHAP Productions

5. Colored (feat. Reggie Bowens) prod. by: Kenny "Chef" Bell

Executive Producer: A. Orlando Watson II
Co-Executive Producer: Jonathan "Skip" Winfree
Recording Engineer: Johnathan "J. Al" Allen (YMG)
Mixing Engineer: Kevin Montgomery (Standby Rolling)
Mastering Engineer: Adam Boose (Cauliflower Audio)

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about

Orlando Watson Cleveland, Ohio

Orlando Watson is largely recognized for his thought provoking free-verse poetry accompanied by soulful compositions. Orlando’s has shared stages with acts such as: Lalah Hathaway, Braxton Cook, Keyon Harrold, Chantae Cann, Tye Tribbett, Dominick Farinacci, and Jessica Caremoore to name a few. ... more

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